That's what I meant by the cheesy effect. It's like you can tell in what decade a specific record was probably recorded due to recording, processing, and mixing standards. Honestly, I find the abundance of its use quite boring. The Minimoog is all over the place on records, which makes the artistic side in me ask first of all: "Why do I want to sound like everybody else?" - I think Tony Banks made a sort of similar statement in the 1970s when he was asked why he doesn't use a Minimoog. It's also not that it has been a hidden secret or a super rarity. But it is what it is in the end: historical. And I'm not denying its historical significance. I just don't get anymore what's so special about it. See, it's not that I don't like the Minimoog.
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